《阿拉亚》 在线播放

阿拉亚剧情简介：阿拉亚西班牙地域的于1959年上映，导演是Margot,Benacerraf ，阿拉亚具体先容：《阿拉亚》是委内瑞拉传说女导演玛戈·贝纳塞拉芙独一一部记录长片，它在拉美影史上具有相等重要的职位地方，是委内瑞拉民主后第一部得到国际名气的影戏，当年在嘎纳它与阿伦·雷奈的《广岛之恋》协作分享了国际评论家奖，也都获金棕榈提名却终极未果，所以名气不如《广岛之恋》和《黑人奥菲尔》那么大，但在业余人士眼中此片时时基本上研讨拉美女性影戏所必修的经典，影片卓越的照相时常被人们所夸耀，是与卡拉托佐夫的《我是古巴》齐名的诗意影戏佳构，法国着名导演让·雷诺阿在看过影片后赞颂《阿拉亚》是他所见过最完美的记录片之一。贝纳塞拉芙就像是委内瑞拉影坛的特吕弗和亨利·朗格鲁瓦，她不仅是第一位毕业于巴黎影戏学院（IDHEC）的拉美导演，并且在1966年创办了委内瑞拉影戏材料馆，诚然因为资金短少成绩，她个人的导演生计并不顺利，作品也很少，但却为新委内瑞拉影戏的开展创立基金会，并曾得到世界各国的不少名气和勋章。 转自AUESS的博客材料（http://blog.sina.com.cn/s/blog_497f6a250100cxm0.html） Shown at Cannes in 1959, the year after Venezuela's last dictator Marcos Perez-Jimenez was overthrown, the documentary inadvertently highlights the kind of exploitation of the poor that can lead to rebellion. While the dictator escaped to Miami with $13 million, salt workers were piling up mounds of salt on the flat sands, making barely enough money to keep them in arepas and black beans. Between the hot, tropical climate and the sores on their feet, the job these workers do every day is excruciating. Yet the lives of the fishermen and salt workers in this documentary are shown in the context of planned, upscale development, something of a disservice to the larger picture. With not much making a great impression thus far at the Berlinale, Margot Benacerraf's lovely documentary Araya comes as a breath of fresh air from 1959. Reminiscent of Agnes Varda's debut film La Pointe-courte (1954) in its artful but somewhat ambivilant attitude towards filming a local community and their work clearly admired by the filmmakers, Benacerraf's film focuses on the inhabitants of Araya, a desolate area in Venezuela subsiding through a long history on the wealth of its great salt marshes. Araya was originally compared to Flaherty's Man of Aran, Visconti's La Terra Trema (1947) and Rossellini's India (1957). Margot Benacerraf has described the film as `a cinematic narration based on script writing rather than a spontaneous action, a feature documentary, the opposite of Italian neorealism`.