《蒙娜丽莎的诅咒》2022高清下载

  • 导演:MandyChang
  • 演员:RobertHugh
  • 类型:纪录片
  • 国家:美国
  • 语言:英语
  • 上映时间:2022-12-14
  • 片长:50分钟
  • 豆瓣评分:1
简介
主演:Robert Hugh导演:Mandy Chang言语:英语 区域: 美国 编剧:范例:纪录片上映时候:2008别号:用户标签:纪录片,艺术史,BBC,2008,蒙娜丽莎,艺术,英国,RobertHughes片长:50分钟imdb编号:tt1586000Over the past half-century, renowned art critic Robert Hughes has watched a certain story unfold in culture — a story of how commerce changed our relationship to art and, in the process, what art stands for as cultural currency. In The Mona Lisa Curse, an ambitious documentary available on YouTube in 12 installments, Hughes — curmudgeonly and keenly insightful as ever — traces the evolution of the art world’s devolution. From archival footage of Hughes, once a suave TIME critic, in his 1960′s prime to insider accounts of some of the greatest art events and deals of today, the series is as much an exemplar of investigative journalism as it is an absorbing and eye-opening piece of cultural storytelling.`I’ve seen with growing disgust the fictionalization of art, the vast inflation of prices, and the effect of this upon artists and museums. The entanglement of big money with art has become a curse on how art is made, controlled and, above all, in the way that it’s experienced. And this curse has infected the entire art world.”`Apart from drugs, art is the biggest unregulated market in the world, with contemporary art sales estimated at around $18 billion a year, boosted by regimens of new-rich collectors and serviced by a growing army of advisors, dealers and auctioneers. As Andy Warhol once observed, ‘Good business is the best art.’”`The Kennedys managed to turn the Mona Lisa into a kind of 15th-century television set — instead of 1.5 million people looking at one image flashed on 1.5 million screens, you had them all looking at it on one screen, which was the picture itself, and that was the only difference. They didn’t come to look at the Mona Lisa, they came in order to have seen it. And there is a crucial distinction, since one is reality and experience, and the other one is simply phantom.`
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《蒙娜丽莎的诅咒》电影评论
  • 2022-11-28 即是看不懂当代艺术啊。当艺术和美学变得谁都可以若无其事地参加(怪不得当代艺术的门槛这么低),当(某些当代)艺术酿成了歌唱性的消耗去掩盖那些所谓的艺术品买家低价的条理的时分,艺术就变得毫无代价。市场即是有能力把艺术史酿成恶俗的支票簿。(布迪厄+鲍德里亚+本雅明)的观念综上所述
  • 2022-11-27 #公然探求BBC# 193 3.5 被投资人开拓了这片市场日后,商品属性盖过了艺术代价,(特别是现代艺术)。艺术品不再有机遇做博物馆的荆布妻,寒门贵戚才有钱包养。安迪沃霍洞悉了偏差依旧揭开了魔盒?
  • 2022-11-27 有些锦绣的对象自从被发现到里面去即是不好能被某集团或某些人拥有的,货币化确真实捣毁那个现实……但如故,若是有个瞬间有集团被某种美吸进去了,那他即是拥有了。
  • 2022-11-19 还可以!但也很难转变近况。溘然想到一个成绩:世上任何事物的原始属性一旦被转变,乡村伴跟着一场长久或永远的灾祸?不知道那个成绩对不对
  • 2022-11-01 激起我关于艺术品代价的思索,所以是我不了解的局限,但被创作者感情衬着,让我以为艺术的代价被商业化是一件令人惋惜的事。
  • 2022-10-24 艺术市场的猖獗将艺术品降格为商品,而且扼杀了对艺术本应有的爱崇,以致影响了艺术家及美术馆。
  • 2022-10-23 低价艺术品市场的后遗症是构成艺术并非以艺术角度受抚玩、而是以价钱。货币化的艺术品。
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