《东京金盏花》2022高清下载

简介
主演:田中丽奈 / 小泽征悦 / 树木希林 / 寺尾聪 / 齐藤阳一郎导演:市川准言语:日语 区域: 日本 编剧:林真谛子范例:恋情上映时候:2001-05-12(日本)别号:Tokyo Marigold用户标签:日本,田中麗奈,日本片子,市川准,东京金盏花,田中丽奈,林真谛子,小澤征悦片长:imdb编号:tt0288260Though he remains almost unknown abroad, Jun Ichikawa is one of Japan`s most subtle directors. Take this new film. On the surface it is a well produced, beautifully photographed study of a young woman falling in love and learning disappointment. But, as you watch it, this surface breaks and you fall into the real world, where young people clutch their cell phones, cannot otherwise talk with each other, have been taught little and understand less, look out on life as though from a cave and have not a clue as to what is happening to them. All of this in luminous pastel colors, a score that would not be out of place in a Claude Lelouch picture and cutely inarticulate dialogue. But follow the dialogue and it gets you no further than it gets the young people. This film, like all of Ichikawa`s, is not about what is shown but what is missing. The story is elsewhere — perhaps in the style, which is purposely so excessively lyrical that it comes near hysteria — as we watch the gliding camera turns to prowling. And when the girl finally laughs, it is only at a particularly stupid TV commercial. Ichikawa (who makes such commercials for a living) has again, as in the deadly quiet `Tokyo Siblings` and in the almost unbearably poignant `Dying at a Hospital,` given us morality candy-colored. We smack our lips as we watch and it is only later that we taste the bitter truth. This extraordinary film was turned down by the Cannes festival. It has no designer violence, no noir horror and no `great performances` though Rena Tanaka as the girl is perfect.
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《东京金盏花》电影评论
  • 2022-11-30 说起来始终没有系统整理过世纪初的日影,蓦然觉察平成年中期的女演员特质真是超群出众,这特质十二分吸引人但有关妍媸,比方宫崎葵、广末凉子、泽尻绘里香、田中丽奈、麻生久美子、宫泽理惠等等,泛起了一大批文艺到死的感情影戏(实际上音乐也是),而胶片拍摄越发分,那简直从只是曝又蒙着一层灰度的影调分外温和,阴郁天、微雨天、薄雾天、薄暮天老是比放好天更易触景生情,我其实始终感到4K数字影戏即是太甚显明以至于和生活的实感孕育发生了油水之隔;胶片影戏里连空镜头宛若都把拍摄当时的氛围收进银盐颗粒里,因而感觉上每一格画面都更其实更有黏度——诚然这可以是无稽构思的“形而上学”,但胶片影戏的滋味我切实是太爱了。// PS. 找遍全网都没有资本,岂非在优酷找到了,只只是听着日语原音看着英语字幕想着汉语意义(幸亏大局部是书面语…)
  • 2022-11-30 市川准的东京,平时宛若任何一个农村,曲折又像始终切换的靠山乐声。总有阳光斜照的角落,落日。有列车上朝手段喷香水的少女,有销售员的战略是做一个被爱好的弱者,有半夜打瞌睡的居酒屋店长。有伶仃,就做作有恋情。绘里子说,我爱好一个人,但如故换了新的手机、公寓、男友。谛视是一种暴力,那就蒙眼对坐、拥抱、上床,等天天递来的橙子。炎天可不能永世不来,或许期限的、来日诰日的快活更得当你,就像接住又立马抛开谁人球。
  • 2022-11-22 眼裡的。記憶力的。都丟在棒球廣告的笑颜裡面。結尾告訴你田村原來是個情場得志的平常汉子,エリコ這下釋然了吧。這電影太毒了。寺尾聰笑咪咪的說,看人的目光,有可以是一種暴力。人對人的印象,有可以是一種歧視。エリコ譬如閉上双眼「看」田村,還會喜歡他嗎。譬如晓得他基本就沒有女朋友,或是被女朋友甩,還會喜歡他嗎。就算不管如何他基本上他。
  • 2022-10-31 90年月末的东京是被刷上了甚么名为寥寂的柔光剂吗 泛着薄暮般的浅焦糖色 可称为矫情的散文式少女独白建筑着再平常只是的都会无聊恋情 看录像带的时间 平息、回退、慢动作的那局部剪辑做得真好 属于谁人年月的前言特有的速率 属于少女们只需在谁人年事身手大肆持有的自恋和自怨
  • 2022-10-30 谁人畏怯的收尾改变了扫数故事的意义,我憎恶谁人收尾。譬如没有它,谁人影戏在同类型影戏中简直即是完美的。田中丽奈是酒井理惠子最稳妥的扮演者;扫数影戏的镜头和节拍基本上近乎完美的。因而戏剧起色也并不是任何时间基本上好的。
  • 2022-10-24 感到这影戏估计就会云云淡淡地收场了,成果还确实给来了个戏剧性收尾。这收尾还挺毒的,染指谁人收尾孕育发生的化学反应宛若也奇异地改变了我对整部作品的观感,但对我来说其实并不减分。
  • 2022-10-17 如花期一样平常只领有一年的恋情。看完心坎空落落的,年青人的寥寂靠恋情很难消解的吧。日复一日送橘子的汉子溘然有一天不再送橘子了,本来不应该孕育发生生理依附的呀